deep listening

To help you pay attention to the complexity of sound, you’ll devote time to listening to

and analyzing the sounds around you.

Begin by finding a space that you can occupy for at least 2 hours. Some of you may not

be able to go outside, or might be able to go to only less populated spaces. This is no

problem: you can still analyze how sound is functioning in those spaces, even if the space is

your own.

A. Sit and listen to the sound in the space. Take very detailed notes on what you hear.

Don’t leave anything out, no matter how mundane the sounds might seem. In particular, listen

for sounds that you might otherwise ignore or dismiss.

B. After you’ve taken your detailed notes, you’ll analyze what you heard. Your analysis

should be centered on the question, “how is sound being used in this space?”

Use the following questions as a guide for your analysis. You don’t need to answer all these

questions, but you’ll probably want to address a few of them.

• What are the sounds people make? Are there rules of etiquette that define how people

should use sound in the space? Include yourself in this: what are the ways you are

encouraged to behave sonically in the space?

• How are the sounds of media part of the space? Are you using media that makes sound? If

so, why? What are you trying to achieve by using this media?

• Are there any other technologies that makes sound? What purpose(s) does their sound

serve?

• What sounds do you have control over? What sounds do you have no control over? What

do you think about sounds you can’t control? Do you try to ignore them? Why?

• Pay attention to anything that seems to influence the sounds of the space. Include in this

objects like walls or windows. What is their purpose, sonically?

C. Read the four articles listed below. Find at least two concepts from at least two

different articles that relate to your analysis of the sounds you heard.

Cspregi, “On Sound Atmospheres”

http://www.surfacenoise.info/neu/1230S20SEC4/readi…

McCartney, “Soundscape Works, Listening, and the Touch of Sound”

http://www.surfacenoise.info/neu/1230S20SEC4/readi…

Makagon, “Sonic Earthquakes”

http://www.surfacenoise.info/neu/1230S20SEC4/readi…

Kassabian, “Ubiquitous Listening”

http://www.surfacenoise.info/neu/1230S20SEC4/readi…

D. Write 2 – 2.5 page (double-spaced) essay on the analysis of the sounds you heard.

Begin by briefly summarizing where you were, why, and what you heard there. Then devote the

remainder of your essay to the analysis of the sound, centering on the question of how sound

is being used in the space. You might not address all the sounds you heard; you might find that

what is interesting about your sound-space is a specific set of sounds.

E. If you’d like to include a brief (20-30sec.) recording to support your analysis you’re

welcome to do so, but it isn’t required.

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