CONDUCTING A MENTAL STATUS EXAM

The Mental Status Exam is the basis for understanding the client’s presentation and beginning to conceptualize their current functioning into a diagnosis. At first, this might seem overwhelming and time consuming, but it is not difficult to do. It can generally be done in a few minutes as the vast majority of this information is obtained through your careful observations of the client during the intake interview. This is why developing your observation skills is important.

APPEARANCE

· Presenting Appearance, including sex, chronological and apparent age, ethnicity, apparent height and weight (average, stocky, healthy, petite), any physical deformities (hearing impaired, injured and bandaged right hand)

· Basic Grooming and Hygiene, dress and whether it was appropriate attire for the weather, for a doctor’s interview, accessories like glasses or a cane

· Gait and Motor Coordination (awkward, staggering, shuffling, rigid, trembling with intentional movement or at rest), posture (slouched, erect), work speed, any noteworthy mannerisms or gestures

MANNER & APPROACH

· Interpersonal Characteristics and Approach to Evaluation (oppositional/resistant, submissive, defensive, open and friendly, candid and cooperative, shows subdued mistrust and hostility, excessive shyness)

· Behavioral Approach (distant, indifferent, unconcerned, evasive, negative, irritable, depressive, anxious, sullen, angry, assaultive, exhibitionistic, seductive, frightened, alert, agitated, lethargic, needed minor/considerable reinforcement and soothing)

· Speech (normal rate and volume, pressured, slow, accent, enunciation quality, loud, quiet, impoverished)

· Eye Contact (makes, avoids, seems hesitant to make eye contact)

· Expressive Language (no problems expressing self, circumstantial and tangential responses, anomia, difficulties finding words, misuse of words in a low-vocabulary-skills way, misuse of words in a bizarre-thinking-processes way, echolalia or perseveration, mumbling)

· Note if English is not the primary language here and comment on their command of the language

· Receptive Language (normal, able to comprehend questions, difficulty understanding questions)

· Recall and Memory (could explain recent and past events in their personal history, recalls three words (e.g., Cadillac, zebra, and purple) immediately after two rehearsals, and then again five minutes later (five minutes is how long it takes for information to move from short-term to long term memory). If they cannot, you can prompt them (e.g., “Was the first one a kind of tree, color, or car? A car, OK was it a Camaro, Continental, or Cadillac?”)

ORIENTATION, ALERTNESS, & THOUGHT PROCESSES

· Orientation (person, place, time, presidents, your name)

· Alertness (sleepy, alert, tired for working late, dull and uninterested, highly distractible)

· Coherence (responses were coherent and easy to understand, simplistic and concrete, lacking in necessary detail, overly detailed and difficult to follow)

· Concentration and Attention (based on Digit Span and attention to your questions, serial 7’s or 3’s (count backwards from 100 to 50 by 7’s or 3’s), naming the days of the week or months of the year in reverse order, spelling their last name, or the ABC’s backwards)

· Thought Processes (could/could not recall the plot of a favorite movie or book logically, difficult to understand line of reasoning, showed loose associations, confabulations, flight of ideas, ideas of reference, illogical thinking, grandiosity, magical thinking, obsessions, perseveration, delusions, reports of experiences of depersonalization)

· Hallucinations and Delusions (presence, absence, denied visual but admitted olfactory and auditory, denied but showed signs of them during testing, denied except for times associated with the use of substances, denied while taking medications)

· Judgment and Insight (based on explanations of what they did, what happened, and if they expected the outcome, good, poor, fair, strong)

· Intellectual Ability (roughly average, above average, or below average based on answers to questions like “name last four presidents” or “who is the governor of the state?” or “what is the capitol of the state?” or “what direction does the sun set?,” etc…)

· Abstraction Skills that are based on proverbs and sayings (“What do people mean when they say…”), similarities (“How are a ______ and a ______ alike? Different?”), and giving both definitions for word (“What are two different meanings for ‘right,’ ‘bit,’ and ‘left?’”)

MOOD & AFFECT

· Mood or how they feel most days (happy, sad, despondent, melancholic, euphoric, elevated, depressed, irritable, anxious, angry)

· Affect or how they felt at a given moment (comments can include range of emotions like broad, restricted, blunted, flat, inappropriate, labile, consistent with the content of the conversation and facial expressions, pessimistic, optimistic) as well as inappropriate signs (began dancing in the office, verbally threatened examiner, cried while discussing a happy event and cannot explain why) or consider the weather, which varies slightly from day to day

· Rapport (easy to establish, initially difficult but easier over time, difficult to establish, tenuous, easily upset)

· Facial and Emotional Expressions (relaxed, tense, smiled, laughed, became insulting, yelled, happy, sad, alert, day-dreamy, angry, smiling, distrustful/suspicious, tearful when discussing such and such)

· Suicidal and Homicidal Ideation (ideation but no plan or intent, clear/unclear plan but no intent, ideation coupled with clear plan and intent to carry it out)

· Risk for Violence (fair, low, high, uncertain, effected by substance use)

· Response to Failure on Test Items (unaware, frustrated, anxious, obsessed, unaffected)

· Impulsivity (low medium, high, effected by substance use)

· Anxiety (note level of anxiety, any behaviors that indicated anxiety, ways they handled it)

· Defense Mechanisms observed

 

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Theories at-a-Glance The tables in this book compare theories over a range of topics, thereby providing you with the ability to easily compare, contrast, and grasp the practical aspects of each theory. These tables also serve as invaluable resources that can be used to review the key concepts, philoso- phies, limitations, contributions to multicultural counseling, applications, techniques, and goals of all theories in this text.

The following chart provides a convenient guide to the tables in this text.

Pages

6–7 Table 1.1 Overview of Contemporary Counseling Models

62–63 Table 4.1 Ego-Defense Mechanisms

65–66 Table 4.2 Comparison of Freud’s Psychosexual Stages and Erikson’s Psychosocial Stages

432 Table 15.1 The Basic Philosophies

433–434 Table 15.2 Key Concepts

438 Table 15.3 Goals of Therapy

441–442 Table 15.4 The Therapeutic Relationship

443–444 Table 15.5 Techniques of Therapy

444–445 Table 15.6 Applications of the Approaches

446 Table 15.7 Contributions to Multicultural Counseling

447 Table 15.8 Limitations in Multicultural Counseling

448–449 Table 15.9 Contributions of the Approaches

449–450 Table 15.10 Limitations of the Approaches

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Overview of Focus Questions for the Theories For the chapters dealing with the different theories, you will have a basic understand- ing of this book if you can answer the following questions as they apply to each of the eleven theories:

Who are the key figures (founder or founders) associated with the approach?

What are some of the basic assumptions underlying this approach?

What are a few of the key concepts that are essential to this theory?

What do you consider to be the most important goals of this therapy?

What is the role the therapeutic relationship plays in terms of therapy outcomes?

What are a few of the techniques from this therapy model that you would want to incorporate into your counseling practice?

What are some of the ways that this theory is applied to client populations, settings, and treat- ment of problems?

What do you see as the major strength of this theory from a diversity perspective?

What do you see as the major shortcoming of this theory from a diversity perspective?

What do you consider to be the most significant contribution of this approach?

What do you consider to be the most significant limitation of this approach?

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Australia • Brazil • Mexico • Singapore • United Kingdom • United States

Gerald Corey California State University, Fullerton Diplomate in Counseling Psychology,

American Board of Professional Psychology

Theory and PracTice of counseling and

PsychoTheraPy Tenth Edition

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Theory and Practice of Counseling and Psychotherapy, Tenth Edition Gerald Corey

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To the founders and key figures of the theories presented

in this book—with appreciation for their contributions

to contemporary counseling practice.

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How is the subject of each painting representative of Impressionism or Post-Impressionism?

The Painting of Modern Life

The late nineteenth century is often cited as a critical point in the development of a “modern” art. Impressionists and Post-Impressionists turned to the contemporary world as primary subject matter, and depicted elements of that world using an innovative style.

Carefully examine the following paintings:

Monet, Rouen Cathedral: The Portal (In Sun), 1894
Manet, Bar at the Folies-Bergère, 1881-82
Seurat, A Sunday Afternoon on the Island of La Grande Jatte, c. 1884-86
In 3 well-developed paragraphs, address the following questions:

How is the subject of each painting representative of Impressionism or Post-Impressionism?
How are the style and visual characteristics of each painting representative of Impressionism or Post-Impressionism? Be sure to discuss specific elements such as brushwork/application of paint, use of color and light, and composition, in your response.
Describe the specific ways that each painting shows tension between its inherent two-dimensionality and any illusion of three-dimensionality created by the artist.
Question 2:

Modern and Contemporary Art may seem alien to many people— seemingly without content, message, or purpose. But it can be argued that Modern and Contemporary Art visually reflect the complex and abstract ideas that we experience every day. Although not for everyone, art of the 20th and 21st centuries is often a key part of the collection in many art museums. As you consider the wide range of modern and contemporary art types that we studied this week, think of yourself actually visiting a modern art museum. In 2 well-developed paragraphs discuss:

While you are visiting, what type of Modern or Contemporary art will you most want to see and why? Be sure to name the specific style (e.g., Analytic Cubism, Pop Art, Abstract Expressionism)
What type will you put last on your list of “things to look for?”
Why do you feel that way?
Be sure to explain your ideas clearly and support them by discussing specific works of art that you have read about this week, talking about how they illustrate and support your ideas. Include the images of these specific works of art in your response.

Respond to both questions as thoroughly as possible, making sure to use information from the readings and the lectures. All responses should be in complete sentence form, using proper spelling and grammar.

 

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